2022: CIM 2022 Proceedings | Conference on Interdisciplinary Musicology

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DOI: https://doi.org/10.2218/cim22.1

Publiée: 31-août-2022

Complete Proceedings

Proceedings of CIM22: 'Participation' (Single document PDF)

Nikki Moran, Youn Kim
- PDF (English)

Front Matter

Introduction Foreword by CIM22 co-Chairs; Committees; Invited Speakers; Schedule at a glance.

Nikki Moran, Youn Kim
- PDF (English)

Keynote plenaries

PLAYED: How Music and Tech Grooms Violence Against Black Girls Online

Kyra D. Gaunt
- PDF (English)
- Video (English)
Participation and Playing A/Part

Ruth Herbert
- PDF (English)
- Video (English)
Music Beyond its Making

Frederick Lau
- PDF (English)
- Video (English)

Session 1

Music listening perspectives related to music medicine in hospitals – peace or pain?

Helle Nystrup Lund, Raymond MacDonald
- PDF (English)
Participatory creativity training and creativity self-concepts of students in specialist arts higher education

Nicola Pennill, Keith Phillips, Kamal Birdi
- PDF (English)
Digitally mediated collaboration

Emily Wilson, Pauline Black
- PDF (English)
Playing no solo imagination

Paul Abbott
- PDF (English)

Session 2

Does prosocial attitude affect creativity in musical improvisation?

Adrian Kempf, Andrea Schiavio
- PDF (English)
Sentiment analysis of corona-musicking online reveals bifurcation of pandemic coping strategies

Niels Chr. Hansen, Rebekah Baglini
- PDF (English)
Tapping with a stranger: How does empathy mediate the affiliative effects of interpersonal synchronisation?

Persefoni Tzanaki
- PDF (English)
"Turning the beat around"

Huw Cheston
- PDF (English)
Redefining groove

Deniz Duman, Nerdinga Snape, Petri Toiviainen, Geoff Luck
- PDF (English)
Time flies

Nicola Pennill
- PDF (English)

Session 3

Signification system as artificial intelligence

Misty Choi
- PDF (English)
The transfer effect of musical ability to intelligence and reading

Ivan Yifan Zou
- PDF (English)
Participation in the modernist music experience

Nena Beretin
- PDF (English)
MIDI Controllers and magic lanterns

Alexander Hunter, Martyn Jolly, Charles Martin
- PDF (English)
Attending to attending

Charlie Sdraulig , Louis d'Heudières
- PDF (English)

Session 4

The spectator-listeners’ participatory roles in Michel van der Aa’s stage works, Blank Out and Eight

Inkeri Jaakkola
- PDF (English)
Public solitude or participatory experience

Jutta Toelle
- PDF (English)
Participatory applause

Finn Upham, Ahmet Emin Memis, Niels Chr. Hansen, Fernando E Rosas, Maria-Alena Clim, Alexander Refsum Jensenius
- PDF (English)
Can We Dance? Considering the role and meaning of music in videogames through "thinking in movement"

Oskari Koskela, Kai Tuuri, Jukka Vahlo
- PDF (English)
Emotion regulation motives in music listening

Tim Loepthien, Waldie Hanser, Annemieke van den Tol , Seong-U Bak, Bernhard Leipold
- PDF (English)
Biologists singing: Collective vocalization, posthuman listening, and interspecies audibility

Jami Reimer
- PDF (English)

Session 5

Music composition as dialogue: A participatory process of democracy

Nathalie Dupuis-Desormeaux
- PDF (English)
Dissensus, refusal and participatory music: Negation and rupture in Crowd in C

Eric Lemmon
- PDF (English)
A case study in developing person-centred approaches to evaluating participation in Community Music

Una MacGlone, Graeme Wilson, Joy Vamvakaris, Raymond MacDonald
- PDF (English)
Listening to listeners: Embodied music cognition and intersectional practices

Lydia Barrett
- PDF (English)
Beyond WEIRD and towards the decolonisation of music for wellbeing and health

Juan Loaiza, Renee Timmers, Nikki Moran
- PDF (English)

Session 6

Alone, together: The production of female soprano voice in Oxbridge chapel choirs

Jessica Edgar
- PDF (English)
"We do opera!" Participation in German opera houses: institutional strategy and aesthetic concepts

Ulrike Hartung
- PDF (English)
Is there a conservator in the room? Electroacoustic music preservation in an era of participation

Andreia Nogueira
- PDF (English)
Machinic rhythms: Improvisational systems and more-than-human participation

Iain Campbell
- PDF (English)
Learning enactivity: Can Alexander Technique-led music training enhance proprioceptual skills and awareness in dyspraxia?

Flora Henderson
- PDF (English)
Metro-rhythmical experience in dance and music as the participatory cross-modal syntactic processing

Piotr Podlipniak
- PDF (English)

Flashtalks

Shifting identities: Reflections on a composer-machine-performer dynamic

Taylor Brook, Catherine Lee
- PDF (English)
- Video (English)
Music-colour synaesthesia: Sensorimotor features and synaesthetic experience

Caroline Curwen, Renee Timmers, Andrea Schiavio
- PDF (English)
- Video (English)
Media, virtuality, and participation in musical creativity of the Young Cracow Composers

Agnieszka Draus
- PDF (English)
- Video (English)
Call and response: Social affordances in virtual Egyptian music and dance performance

Trisnasari Fraser, Jane W. Davidson
- PDF (English)
Investigating participation in the formation of indeterminate music: example of Cage’s Solo for Piano (1958)

Chia-Ling Peng
- PDF (English)
- Video (English)
Performance as theatre: How expert pianists participate in concert stage direction

Olivia Urbaniak, Helen Mitchell
- PDF (English)
Civilian wind bands as agents of non-formal and informal education

José Cidade, João Caramelo, Alexandra Sá Costa
- PDF (English)
- Video (English)
"Where are the bizarre chords in the middle?" A search for the sound of imaginary music

Filipa Cruz
- PDF (English)
Singing in the pandemic: A small-scale study on musical experiences of university choristers in Hong Kong and the United Kingdom during the COVID-19 pandemic

Kari Ding
- PDF (English)
Fab maps and the cartography of the invisible: Fragments on feedback ecology and participatory field recording

Johan Nyström
- PDF (English)
- Video (English)
Piano teachers’ use of music memorisation in one-to-one piano lessons: A preliminary study

Chara Steliou, Kelly Jakubowski
- PDF (English)
- Video (English)
Control and failure: A framework for analysis of sound oriented intermedia art

Marcin Strzelecki
- PDF (English)
Collectively Classical: Social connection at a classical concert

Dana Swarbrick, Fernando E. Rosas , Jonna K. Vuoskoski
- PDF (English)
Music theatre preservation: Intersections between musicology and archival science

Filipa Magalhães
- PDF (English)
Music in the Community as an Undergraduate module: Discussion of different student placements from the student and instructor's point of view

Katerina Chatzovoulou, Christina Anagnostopoulou
- PDF (English)
- Video (English)
Participatory music making with people living with dementia

Lucy Forde
- PDF (English)
Song, meaning-making in a dialogue

Alice Karbanova
- PDF (English)
How do you solve a problem like capitalism? The role of music science

Sarah A. Sauvé
- PDF (English)
- Video (English)
Primate duet display via arboreal locomotor predictability: emergent height and variety as selecting for more complex gibbon great calls

David M. Schruth
- PDF (English)
Differentiating between terrifying and anxious music in emotion research

Caitlyn Trevor, Marina Renner, Sascha Frühholz
- PDF (English)
- Video (English)
Geometries in sound: A way to empower the listener towards certain genres of contemporary art music

Riccardo D. Wanke
- PDF (English)
A queer phenomenology of furniture music: A case study of Alvin Lucier’s I am sitting in a room (1969) as musical furniture

Lara Balikci
- PDF (English)