Coming to One’s Senses
Decolonising Artefacts at the Museum of Anthropology
Keywords:
museology, First Nations, free choice learning, museum displayAbstract
My paper is concerned with decolonising contemporary museological practice, specifically in relation to ethnographic collections at the Museum of Anthropology, Vancouver. I propose that display practices can be reformed through Indigenous collaboration with artefacts and visitors critically engaging with their display. I recognise that decolonisation must happen on a structural basis with institutions revoking their authority to Indigenous groups. Reclaiming this power grants the autonomy to decide how their collections are displayed and represented. I also explore ways for visitors to decolonise the space introspectively, by becoming critically aware of their own colonial gaze – how they perceive, critique and analyse museum spaces.Downloads
Published
27-May-2019
Issue
Section
Academic Essays
License
This is an Open Access journal. All material is licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence, unless otherwise stated.
Please ensure you have read our Open Access, Copyright and Permissions policies.
How to Cite
Coming to One’s Senses: Decolonising Artefacts at the Museum of Anthropology. (2019). re:Think - a Journal of Creative Ethnography, 2(1), 59-75. https://journals.ed.ac.uk/rethink/article/view/2605