Sacred Strokes

Iconometric Precision and the Evolution of Thangka Art in Sikkim

Autores

DOI:

https://doi.org/10.2218/himalaya.2025.10626

Palavras-chave:

thangka art, iconometry, ritual images, Himalayan Buddhism, Sikkim

Resumo

Himalayan Buddhist regions such as Sikkim preserve vibrant traditions of thangka painting, where sacred imagery, ritual practice, and precise iconometric systems converge. Yet, compared to other Himalayan artistic centers, Sikkim’s thangka traditions have received limited scholarly attention. Drawing on 2024 ethnographic fieldwork and guided by theoretical approaches from Gell’s notion of art as agency, Malinowski’s emphasis on embodied practice, and Sharf’s view of Buddhist images as enlivened through consecration, this paper analyses how iconometry (thig tshad), ritual discipline, and lineage-based apprenticeships structure artistic creation. It also shows how these sacred arts persist even as tourism and new markets influence how they are made. In the end, the study highlights thangka painting in Sikkim as a vibrant living tradition, where skill, devotion, and ritual vitality remain central.

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Biografias do Autor

  • Karma Norbu Bhutia, University of Delhi

    Karma Norbu Bhutia is a PhD scholar in the Department of Anthropology at the University of Delhi. His areas of interest include Tribal Studies, Anthropology of Religion, and Ecological Anthropology. He is also an Assistant Professor in the Eastern Himalayan Studies and Environmental Science Department at Sikkim Government College, Rhenock, affiliated with Sikkim University. Karma has contributed to academic discourse through research publications and presentations on national and international platforms.

  • Mitashree Srivastava, university of delhi

    Dr. Mitashree Srivastava is an Associate Professor of Social Anthropology at the University of Delhi. She earned her D.Phil. from the University of Allahabad, focusing on Bodh Gaya as a sacred complex. Her research explores religious identities, transnational Buddhism, and the notion of “authentic” Buddhist identity through narrative and discourse analysis. She has presented at the Sakyadhita International Conference 2023 in South Korea and the 1st Asian Buddhist Summit 2024 in New Delhi. She supervises Buddhist research as an indigenous knowledge system, focusing on Thangka art and its environmental perspectives in Himalayan Buddhism.

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Publicado

23-Jan-2026

Edição

Secção

Photo Essays

Como Citar

Sacred Strokes: Iconometric Precision and the Evolution of Thangka Art in Sikkim. (2026). HIMALAYA, 44(2), 68-86. https://doi.org/10.2218/himalaya.2025.10626