Through Ecocriticism and Affect Theory, Exploring Climate Change Artistry: The Ice Receding/Books Reseeding Project

Authors

  • Giada Ferrucci The University of Western Ontario

DOI:

https://doi.org/10.2218/forum.1.10039

Abstract

This article delves into the Ice Receding/Books Reseeding project of multidisciplinary artist Basia Irland through the lenses of ecocriticism and affect theory, uncovering its profound significance as a climate change artwork. An example of participatory artwork utilizing transmedia storytelling, this project provides a transformative platform that immerses audiences in the realities of non-human climate change impacts. Through an ecocritical examination, the article explores the intricate dynamics of human-non-human relationships depicted in the project, while affect theory sheds light on the emotional responses it evokes. Ultimately, I argue that participatory art is a crucial tool for climate change communication and activism, advocating for its broader adoption in addressing environmental challenges and fostering sustainability through the direct involvement of participants. Analyzing Irland’s Ice Receding/Books Reseeding project, the article underscores the potential of climate change art as a powerful medium for effective environmental communication and offers practical guidance for communicators aiming to optimize its impact.

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Published

08-Oct-2024

Issue

Section

Collective Feelings

How to Cite

“Through Ecocriticism and Affect Theory, Exploring Climate Change Artistry: The Ice Receding Books Reseeding Project”. 2024. FORUM: University of Edinburgh Postgraduate Journal of Culture & The Arts 35 (1). https://doi.org/10.2218/forum.1.10039.